2022

Superspark Cinema is back for 2022 and some of the films showing inside have been updated! Some of the replacements include "Ship Happens" being turned into "Ship Still Happens!" "Seven Dolls" into "Eight Dolls" and our favourite "Trouble in the Bayou" which was "Vulcan Voodoo" last year. This year, the park has taken on guests' feedback last year of the maze not really being scary and has ramped up the spookiness of the maze. During our first run-through of the maze, we were amazed at how intense the maze was this year, in most scenes we experienced at least 2 actors. For scenes like Hell Cell, this really made a difference! The most improved room is Trouble in the Bayou, with the table being removed from the centre of the room there's more room to explore and more spaces for the actor to hide and jump out. The story of the maze remains the same, but it's nice to see the park trying to refresh scenes of the maze already to keep it fresh!  
 

2023

Trailers has returned for another year of movies coming to life and have had some small changes done to the inside of the maze. The pre-show for the attraction has been changed slightly. The receptionist is taken over by the movies and you no longer wait in the cinema room to enter the maze. It's straight into the movies this year!

Throughout the maze, we were constantly surprised by jump scares and the strongest casts we've ever seen inside the maze. All the scenes inside remained the same with some scenes even having 2 or 3 actors on press night. Towards the end of the maze, some of the posters have been changed and have notes over them. In the final corridor scene, some clouds have been installed and the spark machines have been refilled ready for the spooky season. Trailers is always one of our favourite mazes but this year's cast is very talented and experienced. A firm favourite, but we would like to see some of the scenes inside changed for next year as the maze is now 3 years old. 
 

2024

2025

Back to the movies for 2025, Trailers introduces two new rooms – The Hollow Veil and X24: Pain is Progress – which replace a pair of older scenes. The new additions are detailed, atmospheric, and offer some nostalgic nods to past Thorpe Park attractions.

The major downside is the removal of the pre-show involving the eccentric film director, which used to provide an engaging introduction. Now, guests are simply briefed inside the first room, which feels a little flat.

Nevertheless, the acting remains sharp, the new sets are well-designed, and the overall vibe of Trailers remains one of playful yet sinister fun. It’s a strong entry in the line-up that benefits from its variety of themes and settings.
 

2026

Trailers returns for 2026 with another new room.

The section immediately after Dolls, which featured The Hollow Veil from Roots of Evil last year, has now been replaced by Blood Red Roses. The new scene references the former My Bloody Valentine maze and brings another piece of Fright Nights history back to life for the 25th anniversary.

It’s great to see another old attraction referenced inside Trailers, although this particular part of the maze appears to be slightly cursed, as the rooms placed here only seem to last for one season.

This year’s cast is very strong and, despite Trailers having been around for several years now, we still got plenty of jump scares throughout. The costumes and make-up remain really good, and the actors make excellent use of a maze that most returning guests will now know fairly well.

We do still miss the original pre-show. It was removed last year and replaced with more of a safety speech, but the old introduction helped set up the attraction and made entering the maze feel like more of an experience.

We’re also interested to see what the future holds for Trailers. Individual scenes have been updated over the years, but the overall story and structure have remained largely unchanged. We’d love to eventually see the maze receive a bigger refresh while keeping its clever concept of celebrating Fright Nights attractions from the past.